CAN DO: Photographs and other material from the Women's Art Library Magazine Archive
Curated by Mo Throp and Maria Walsh
18 November – 18 December 2015
Private view: Tuesday 17th November 2015 6:00–8.30pm
Four covers of the Women's Art Library magazine, courtesy of the Women's Art Library, Goldsmiths, University of London
This collection of mainly black and white photographs from the Women’s Art Library Magazine archive has rarely been seen outside the confines of its black boxes in the Special Collections at Goldsmiths University library. Selected by Mo Throp and Maria Walsh, the photographs are one of the material remains of a dynamic independent art publication dedicated to the debates and documentation of women’s art from 1983 to 2002. The magazine began life in 1983 as the Women Artists Slide Library Newsletter, acquiring, over the course of its 20-year run, the titles: Women Artists Slide Library Journal (1986); Women's Art Magazine (1990); and make: the magazine of women’s art (1996). Artists submitted photographs of their work for publication, some images were printed in the magazine, most were not, but all were carefully stored in the library stacks at Goldsmiths where the curators were (re)introduced to them by Althea Greenan, curator of Special Collections at Goldsmiths as they researched material for the forthcoming book, Twenty Years of MAKE Magazine: Back to the Future of Women’s Art (I.B. Tauris: 2015). Taking this photographic h(er)story out of the archive, this exhibition speaks to a present fascination with women’s art of the recent past. What memories, what futures can be intimated from these photographic fossils? As well as the photographs, which have been organised into thematic sections entitled: Performance, Portraits, Body, Objects, Protest, the exhibition is comprised of other materials from the archive, including artist’s originals commissioned for the covers and pre-digital layouts.
With thanks to the Women's Art Library, Goldsmiths, University of London.
All Photographs and other materials courtesy of the Women's Art Library, Goldsmiths, University of London