Posts Tagged ‘Dematerialised: Jack Wendler Gallery 1971-1974’

We are all at sea

Members of Chelsea's MA Curating and Collections course assisting Clive Phillpot installing In Peril On The Sea.

Members of Chelsea’s MA Curating and Collections course assisting Clive Phillpot installing In Peril On The Sea.

In Peril On The Seas private view seen from outside

In Peril On The Sea private view seen from outside

After all of the work preparing and installing, Clive Phillpot and his curatorial assistants from Chelsea College of Arts’ MA Curating and Collections settled back and … More To Follow: Read The Full Text Here

A New Era: reflections on the summer, a new exhibition and the start of MA Curating and Collections

David Garnett preparing objects from the ILEA/Camberwell Collections for the 'A Good Design?' exhibition

collections manager David Garnett preparing objects from the ILEA/Camberwell Collections for the new CHELSEA space exhibition ‘A Good Design?’

Instead of a quiet summer the period following the exhibition Markets featuring Charlotte Prodger and The Block was extremely busy and very productive.

installation view of Icons of Process Carlyle Reedy at Flat-Time House installation view of ‘Icons of Process Carlyle Reedy’ … More To Follow: Read The Full Text Here

From Leckey to Lynda

Mark Leckey gets 'Touchy Feely' at Chelsea

A week is a long time at CHELSEA space and once again we have been packing in some great events. We broke off from installing our new show to host an excellent lecture by Mark Leckey entitled ‘Touchy Feely’. Mark is currently busy working in the studio and was very generous in coming to talk with us and candid in sharing his ideas, even showing us his work in progress – a film portrait of an immaculate chrome … More To Follow: Read The Full Text Here

Neue Slowenische Kunst, Clyde Hopkins, Peter Fillingham, Roger Ackling, and Peter Downsbrough

New Collectivism 'Baptism Under Triglav'

Our exhibition Neue Slowenische Kunst has kicked off a season of activity around NSK and we are now looking forward to IRWIN – Time For a New State and NSK Folk Art at Calvert 22 and the symposium and Laibach concert at Tate Modern.

Clyde Hopkins 'Fiveacre'

Meanwhile, Clyde Hopkins’ exhibition of wonderfully hallucinogenic  paintings at our sister gallery Chelsea Futurespace  has been extended and … More To Follow: Read The Full Text Here

More rehearsals from Aurea Romero + Seth Seigelaub and other visitors

A body in space - Aurea Romero working with Peter Downsbrough's AND HERE

Twice a week during Peter Downsbrough’s installation AND HERE at CHELSEA space,  a series of open rehearsals are taking place exploring spatial relationships between the human body in motion and the artist’s work. Dancer Aurea Romero receives choreographic notes and prompts from curator/choreographer Anna Manubens in Barcelona and a film document is made of Romero’s interpretation of the suggested choreography and her intuitive movements in response to Downsbrough’s placement of lines, … More To Follow: Read The Full Text Here

Tuesday – PETER DOWNSBROUGH – Wednesday – DAVID TREMLETT – a great week ahead

This week coming we are involved with two of the most significant artists to emerge in the 1970’s and two new site-related works

Peter Downsbrough 'AQUI' 2008. Angels Gallery Barcelona

Tuesday 8th November 6-8.30pm Peter Downsbrough AND HERE + A PLACE TO BE opens at CHELSEA space . This show is Downsbrough’s first UK outing since his 1973 show at Jack Wendler Gallery, London, a subject that curator Teresa Gleadowe covered for us here at CHELSEA space  in the excellent Dematerialised: Jack Wendler Gallery 1971 … More To Follow: Read The Full Text Here

Hubris – Nil / Humility – 1

Avalanche 1970 - 1976 curated by Lisa Le Feuvre. invitation card

Director Donald Smith has designed the exhibition programme so that it would be divided between the shows that he curates and those by invited curators working on new projects made especially for CHELSEA space. This invitation  to particular curators is an exploration of curatorial practice, to examine different approaches and to encourage guest curators to be experimental and explicitly describe their process through the exhibition itself.

[caption id=”attachment_1080″ align=”alignnone” width=”366″ caption=”CHELSEA … More To Follow: Read The Full Text Here